New film

New film by Ewan

My favorite Scottish

2010-03-24

Scottish actor Ewan has reportedly been roped in to star in Madonna's new film 'W.E.', in which he will play late British monarch King Edward VIII. According to reports, Ewan, who is currently starring in Roman Polanski's 'The Ghost Writer', will portray the British monarch who abdicated the throne in 1936 in order to marry American divorcee Wallis Simpson. He will be seen alongside Oscar-nominated actress Vera Farmiga, who will portray his screen lover Wallis, and Abbie Cornish, who will play a modern day character in the period movie. It is the pop star's first project as a writer and director since critically panned 2008 comedy 'Filth and Wisdom. 'W.E.' is still in pre-production and has no release date.

I'd like to have seen Hurt Locker.

I saw Precious, I'd like to have seen Hurt Locker.

I think Avatar was great, I enjoyed it but is it the best film of the year when there are also films like Precious? Precious wasn't a perfect film but it was about something very real and the film-making in it is interesting.

[On best director] With Avatar there's a million people in charge of their area of that film, with James Cameron at the top.

But with Precious there's a director [Lee Daniels] whose vision that film is, who had to raise the money for it and cast some incredible actors, who give some really extraordinary performances.

He would be my best director above Cameron, because I think that's his film.

...I'm never working with Cameron now, am I? [Bursts out laughing] Oh well, never mind. [more laughter]

Ewan discusses

Ewan discusses career and craft with CalArts students Actor Ewan McGregor doesn’t play a certain “type” in his roles. In the 1996 film Trainspotting, McGregor portrayed a hard-to-forget heroin addict. Three years later, he took on the iconic role of Obi-Wan Kenobi in George Lucas’ Star Wars prequels. In his most recent cinematic release (see trailer above), he plays opposite Pierce Brosnan in Roman Polanski’s The Ghost Writer. And no stranger to the boards, McGregor returned to the London stage in 2007 as Iago in Othello. On Friday afternoon, McGregor added another role to his repertoire–one of visiting artist for the schools of Film/Video and Theater at CalArts. Before a packed house at the Institute’s Bijou Theater, composed mostly of acting, directing and animation students, he was quizzed by friend and Film/Video faculty member Jon Reiss on his career choices, the artistic process and integrity, and about working collaboratively with other actors and directors. McGregor told the rapt audience about growing up in a rural farming area of Scotland, his restless youth, and leaving school at 16 to work as a stagehand in local theater before formal training at a performing arts school. His theater training was hands-on and comprehensive, working all the roles in smaller theaters, from stage managing to public relations, and of course, acting. “I was always watching and working with actors, especially during technical rehearsals,” he said. “It was at the theater that I started living and learning about life a bit.” Although he’s acted in several blockbuster Hollywood movies, McGregor described his career path as one of the middle ground, doing mostly “expensive independent films” of around $20 million. “It’s this middle ground that disappeared a little bit [because of the recent economic woes.]” He waxed poetic on the indie world, telling the students that there was something special about the camaraderie and relationships built during film shoots on a shoestring budget. “Independent filmmaking tends to be the area where we can make the loudest statements,” he said “Because often times it’s not all about making the [studio's] money back.” McGregor’s lecture lasted for about three hours, including answering a number of questions from the students in the audience. Here are a few snippets of advice from McGregor: On acting: “I think that acting is all about connecting to the material.” On working with other actors: “Never tell another actor what to do.” On fear of performing live theater: “You’re more alive than you’ve ever been. Embrace the fear.” On director Danny Boyle, writer John Hodge and producer Andrew MacDonald, the team behind Shallow Grave and Trainspotting: “Three guys that changed my life.” On the film crew: “Working with crew is key…Act away, but remember to let them film it.” On getting no feedback from some directors: “Sometimes no direction allows for more creativity than from getting direction you didn’t want.”